Manual Manipuliert und verführt. Vier Erotik-Stories (Shocking Sex Series 4) (German Edition)

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Artist and filmmaker Antje Engelmann was born in Ulm in Besides her artistic work she has directed several short films and lectures European Media Studies in a cooperative project between the University and the University of Applied Sciences Potsdam.

Pleasure and Power in Nazi Germany

Das Licht kommt aus der Lausitz For example when she skipped across the dance floor with braids pinned up and in traditional costume. Born in Ulm in , Antje Engelmann grew up in the tradition-conscious culture of the Danube Swabians. Her greatgrandparents were Hungarian Germans driven from their home after the war.

For Engelmann, home is therefore not a place, but an act. And so the search for traces of the Danube Swabian idea of home takes the Berlin-based artist not just to Ulm, Hungary and Brazil, but also demands a huge effort in dealing with customs, values and memory patterns. Guided by an urgent need for her own point of view, the searcher wavers between attraction and repulsion and finds an adequate narrative form for this.

All this is accompanied by Danube Swabian folk music, comments and philosophical musings. A contemplative and amusing film. Martin Gerner, born in , is a freelance writer, filmmaker and journalist from Cologne. Apart from his journalistic work he also acts as an instructor for several media NGOs. Was in aller Welt haben wir dort nur verloren? Keine dieser Fragen wird beantwortet.

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Zwischen mutigen Frauen, die eine Radiostation betreiben, und den starren Regeln der patriarchalischen Herrschaft. So wie alle Versuche scheitern, dieser Gesellschaft eine ihr fremde Ordnung aufzuzwingen.


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What in the world are we doing there? On the other hand: can we, may we leave the young Afghan men and women introduced in this loosely episodic film alone? Neither question is answered. Instead we follow with mounting tension the contradictions between the desires of young Afghans and the old social order. Between courageous women who run a radio station and the rigid rules of patriarchy. Between artists who shoot a romance movie and a harsh moral code that calls even a kiss on the screen un-Islamic.

We hear that in Afghanistan lovers always fail.

Pleasure and Power in Nazi Germany | SpringerLink

Just like all attempts to impose a foreign order on this society. Katharina Pethke was born in Hamburg in In she graduated with distinction. Ein Mensch, der anders als die Mehrheit kommuniziert, denkt auch jenseits der Konvention.

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Ein kluger Gedanke angesichts dessen, in welchem Zustand sich unser Planet befindet. Louisa teaches us that hearing is much more than just the acoustic perception of sounds and language. She is 23 when tests show a total failure of her hearing organs.

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For her this is not a disaster but rather an occasion to take a decision. Modern medicine could restore her hearing by means of an operation. But Louisa is averse to what is celebrated as progress. Does she want this operation with all its risks? Filmmaker Katharina Pethke makes us experience the wealth of our sensual perceptions. You can experience music physically in the vibration of space, understand by reading lips and talk by using sign language.

Images and sounds are uncoupled in a way that is neither artificially nor obtrusively coy.

https://bpsconsultores.com/images/interview/470-sitios-web-donde.php A person who communicates differently to the majority also thinks outside of conventions. A clever idea in view of the state of our planet. Before entering the documentary film department at the Baden-Wuerttemberg Film Academy, Ludwigsburg, in he spent internships at various film production companies. Stevens Frau leidet an einer geheimnisvollen mentalen Krankheit, die nur durch den massiven Einsatz von Medikamenten in Schach gehalten wird.

Nein, das Leben ist nicht einfach. In Extension 11, one of the countless districts of the township of Mamelodi, Pretoria, all hell breaks loose. A big term for the little kiosk that feeds his family. Another burden. But Steven steadfastly pursues his plan. In one of the most beautiful scenes of this very intimate portrait of a family Steven sings the song about the boss while he serves his customers. Everything is better than working for the man. An insight that is true whatever the colour of your skin is. Author and director Sobo Swobodnik, currently based in Berlin, was born in and grew up on the Swabian Alb.

A trained actor, he worked as a stage director for various German theatres and as a broadcast editor. Frucade or advocaat? He shuffles ponderously, humpbacked and kilos lighter through his messy flat. Sobo Swobodnik observes Phettberg in the drab lowlands of his everyday life, a man whose body has ceased to obey him. The lonely hours belong to his diary, which he puts online every day. A marginal existence who once managed to entertain the people but now pays the price for his addictions and sublimations. Swobodnik depicts this state of uncertainty between wanting to live and having to die in a striking and radical passion play in black and white.

Hannes Lang, born in Brixen, South Tyrol, in , grew up in the mountains. A trained carpenter and design draughtsman he worked for some time as a production assistant in a film production company before enrolling at the Academy of Media Arts Cologne in Filmography Selection : St.

Diese Alpen aber, so macht uns Hannes Lang schmerzhaft deutlich, gibt es nicht mehr. Nur ein paar Alte sind geblieben.


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Die Jungen sind weg, bei den Liften und Schneefabriken. Wer wollte es ihm verdenken? The Alps are a symbol of home for us, their unshakeable, snow-covered summits defying the ages, conquered only by the likes of Luis Trenker and Reinhold Messner, if at all. We see pictures of the relentless advance of technology, often filmed from above, which clearly show the extent of destruction: skiing areas that cut into the mountains like industrial complexes complete with huge snow factories linked online with headquarters in Israel!

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Ski-lifts, surge to a Fordist beat, and crowds of people that evoke the Tokyo Metro. Concrete as far as the eye can see, futuristic resorts where nature used to be, party noises where silence used to reign. Silence can be found only in summer, when the tourist developments turn into abandoned ghost towns set in a residue of nature that has no life of its own any more. In contrast, former cultivated landscapes turn back into forests in deserted Ticino valleys.

Lang shows the end of an alpine agriculture in which man lived in harmony with nature. While the camera records only crowds and long shots in the skiing areas, here it discovers the individual, endlessly carrying a bag through the mountains. Only a few old people are left. The young are gone, to the ski-lifts and snow factories.

Even the glacier is withdrawing, and who can blame it? Bernhard Sallmann, born in in Linz, Austria, studied communication science, German language and literature studies and sociology in Salzburg and Berlin diploma in He has lectured at universities in Kiel, Karlsruhe and Potsdam and published several essays. Die sachliche Art der Schilderung nimmt den Momentaufnahmen nicht ihren Schrecken. Die Kamera fokussiert sich derweil auf die vorbeirasenden Autos. Bernhard Sallmann was born in and grew up in the Upper Austrian Alps.